Star Hanging Light


Sold by: Handscart
SKU: HL 04 Categories: ,

Product Description

These Hanging inspired lanterns are a beautiful addition for an exotic wedding theme. Mini lanterns make great place settings and also double up as favours too. Bring a little Middle Eastern glamour to your special day with the paper lanterns.

Also perfect for Birthdays, Anniversaries, Christenings and any other celebration or as a gift just to say that you care.

Lanterns are hand painted and can come in any colour to match your colour scheme.

Size-5 pointer

Weight-100 gm

About Artisan-

Our Artisan Arshad Qureshi is live in Sanganer area of Jaipur and making different types of handmade crafts since many years. He was kid when his father and grand father was learned that work from his great grand father as he told us. Paper lamp making crafts is very old since 3 Bc when there was no electricity lights neither any fuel for lamps. He is working with his wife now in his home and making lamps and different types of sheds along with raw paper making things.
The handmade paper lamp making in India goes as far back as to the 3rd century BC. Handmade paper making is a traditional art that has been practised by a particular class of people for generations together. This art has been passed on from one generation of craftsmen to another. These craftsmen are known as “Kagzi’s”. Their name is derived from the Urdu word ‘kavas’, which means paper. The size of this community has dwindled over the years. There is a small settlement of ‘Kagzi’s’ in Sanganer near Jaipur, where a section of this community settled thousands of years ago. They claimed that they were originally from Turkey and from there moved to China and then finally settled in India.
In Sanganer the ‘Kagzi’ community is the primary owner of the handmade paper industry in the town. Their history goes back to the 14th century when the ruler was Feroze Shah Tughlaq. Even in those days the royalty used handmade paper made by them for official documents, miniature paintings, calligraphy, and to make copies of the Holy Quran and to maintain account books. In the 16th century the then ruler of Amber, Raja Man Singh brought the Kagzis to Sanganer and settled them on the bank of the river Saraswati, where clean water was easily available. Thus the town emerged as one of the biggest paper producing centers in north India.


The making process involves several stages including rag chopping, beating, pressing, drying and cutting. The collected raw material is first bleached as to remove color and whiten the hosiery cloth. The bleached cloth is finely chopped into small pieces. Then the waste paper and the cloth pieces are mixed together with water in a beater. The beater machine finely beats the raw material to make the pulp. The pulp is evenly poured in a mold which contains two frames. The screen holds the pulp and the water drains out. The wet pulp is transferred onto a cloth and pressed to make the thick sheet. This process is repeated until the required uniformity is achieved. The sheets are dried after squeezing the water. The thickness of the sheet depends on the quantity of pulp taken in the mold. For the colored sheets the dye stuff is added in the pulp during the beating process. Some papers are colored externally after the paper is dried. Motifs are created by adding flower petals, leaf and grass during the pressing process. The dried papers are inspected for the quality and then smoothed.


With a long history of royal patronage, Jaipur has an impressive tradition of craftsmanship that produces the most extravagant goods for everyday uses – whether gold and silver jewellery, decorative textiles, brass and silverware, leather goods, or even handmade paper. We decided that paper – given the importance of stationery in our lives – would be an interesting topic to explore, so we set out on a trip to Kagzi paper production factory, which began its life producing paper for use in the royal court, and now produces for both the domestic and global markets. During this brief tour of their facility, we learned about the history and methods of traditional papermaking in Jaipur.

We were surprised to learn that this method of papermaking was brought to India during the 16th century by invaders from Central Asia. In prisons in Bokhara and Balkh, Chinese inmates had already demonstrated their skill in producing paper from natural waste. The fact this paper proved to be strong, durable and resistant to alteration or forgery, and could be produced in large quantities, led Babur – the first Central Asian invader to settle down in India and create what came to be known as the Moghul Empire – to encourage some of his men to learn this skill from the Chinese prisoners for use by the Moghul court in India. All court papers came to be prepared on the paper so produced as also, gradually, manuscripts and other related articles used by the educated citizenry. Prior to this introduction of paper, writing in India was carved on stone (e.g., Emperor Ashoka’s edicts), handprinted or painted on fabric (e.g., pattachitras), or etched on palm leaves (e.g., Hindu and Buddhist manuscripts).
The present-day Kagzi family in Jaipur (the name kagzi itself means “paper maker”) traces itself back to the settlers who travelled to India with Babur’s army and who had learnt the craft from the Chinese. Papermaking requires an unlimited supply of water and solid raw materials.



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